2022年12月大学英语六级考试真题及答案(第3套).pdf

该【2022年12月大学英语六级考试真题及答案(第3套) 】是由【青山代下】上传分享，文档一共【9】页，该文档可以免费在线阅读，需要了解更多关于【2022年12月大学英语六级考试真题及答案(第3套) 】的内容，可以使用淘豆网的站内搜索功能，选择自己适合的文档，以下文字是截取该文章内的部分文字，如需要获得完整电子版，请下载此文档到您的设备，方便您编辑和打印。:..2022年12月大学英语六级考试真题(第3套)PartIWriting(30minutes)Directions:Forthispart,youareallowed30minutestowriteanessaythatbeginswiththesentence“Withtheapplicationofinformationtechnologyineducation,collegestudentscannowlearninmorediverseandefficientways.”Youcanmakestatements,givereasons,Ⅱprehension(30minutes)特殊说明:由于多题多卷,官方第三套真题的听力试题与第二套真题的一致,只是选项顺序不同,因此,本套试卷不再提供听力部分。PartIⅡprehension(40minutes)SectionADirections:Inthissection,:,burning700,000tonslastyear,downfrom2milliontonsin2008,(EIA),and20have27pletely,,,-fireduniversitieshavesignedontotheAmericanCollegeandmitment,,.:..TheSierraClub'sBeyondCoalcampaign,whichalsoleadscampaignsforuniversitiestowithdrawtheir33incoalandotherfossilfuels,lists22schoolsthathavepledgedtomove“beyondcoal,”includingClemsonUniversity,IndianaUniversity,OhioUniversity,PennStateUniversity,theUniversityofLouisvilleandtheUniversityofTennessee,,Missouri,',)abandonedF)investmentsK)releasedB)accessG)mobilizedL)replacementC)consumptionH)negligentM)slashD)contriveI)neutralN)surplusE)duplicationsJ)reductionsO)voidSectionBDirections:Inthissection,,buildaudienceswithoutalienatingoldguardA)In1913,“RiteofSpring”ballettotheworld,withitsdiscordantmelodiesandunorthodoxchoreography(编舞),'sversionofthetimeBobDylanwentelectricattheNewportFolkFestival.“Thenoise,fighting,andshoutingintheaudiencegotsoloud,”NPR'smusicreporterMilesHoffffmansaidoftheStravinskydebut,“thatthechoreographerhadtoshoutoutthenumberstothedancerssothattheyknewwhattheyweresupposedtodo.”B)It'urringtodaywithinAmerica',it'shardtopictureanykindofdisruptiveactivityatall(unlesssomeone'scellphonehappenstogooffandthenyou'dbetterwatchyourback).Amannerlyaura(氛围)hangsovermostclassicalproceedings,andmanyofthegenre')Today,Westernaudiencesforclassicalmusicandoperaandballetarealmostalwayswelldressed,older,respectful,achinglysilentandoftenverywealthy(onehastobeabletoaffordmosttickets).ButasmanyofAmerica'smoststoried“highbrow”(高雅的):..institutionsstrugglefinancially—thePhiladelphiaOrchestra'smuch-publicizedreboundfrombankruptcyisjustonerecentexample—classicalmusicfansandtheoristsarewonderinghowthemediumcanweaveitselfintothe21stcentury')Forexample,shouldwefeelOK“clapping”duringclassicalmusicevents,evenifnobodyelseis?Whyshouldn'twecheerforsomethinggreat,likewedoatarockconcert?Thementerscameoutonthesideofsilence.“Thereisnomorerewardingexperienceinlifethanbeingpartofanaudiencewhereeverybodyisleaningforwardinsilence,thoroughlycarriedawaybyagreatperformanceofamasterpiece,”menterwrote.“Whyisitsodifficultforfolkstodevelopanappreciationandunderstandingforthemannerismsandtraditionsofclassicalmusic?”)Thetruthisthatclassicalmusicaudiencesweren',anaward-poser,saidthatwhenBeethovenfirstperformedhis7thSymphony,audiencesforcedtheorchestratoperformencores(重演)ofcertainmovementsimmediately,,hesaid,manyaudiencesatoperaperformanceshaveabandonedpretenses,yelling“Bravo”)“Idon'tthinkthere'sanythingwrongwithanaudienceshowingtheirenthusiasmforapropermomentbyapplauding,showingtheirjoy,”Greenbergsaid,notingthatthestuffinessinconcerthallsis“oneaspectofcontemporaryconcertetiquette”hedoesn'tunderstand.“Insteadofwaitinghalfanhourtoshowenthusiasm,whynotshowiteveryeightornineminutes?”G)Untiltherulesaboutbehaviorandclothingchange,it''reprobablymorelikelytoheadtoCentralParktowatchafreeperformancewithabottleofwineandtheirfriends.“eintoaperformancedressedanywaytheylike,andfortableanywaytheylike,sittinginthatseatreadytoenjoythemselves,”Greenbergsaid.“Becauseit'senjoyable.”H)Greenbergstressedthathedoesn'twantpeopletostartrespectingthemusicless,andhe'snotsuggestingthatwe“dumbdown”,it'saboutopeningup“access.”Whenoperasfirstinstitutedsubtitles(字幕)duringshows,hesaid,manypuristsdidn'tliketheidea,'scommonplacetofindtitlesontheseatbackinfrontofyou—choosealanguage,sitback,andunderstandwhat')AllisonVulgamore,presidentofthePhiladelphiaOrchestra,“classicsconcerts”dedicatedtotheoldmasterswillalwaysexist,butnoteveryprogramhastofeatureBeethovenandBrahms—orevenastageandseats.“We'retryingtointroducedifferentkindsofconcertsindifferentways,”shesaid.“Weareaninteractivesocietynow,wherepeopleliketolearn.”J)AsthePhiladelphiaOrchestrareboundsfromitsfinancialstraits,itisalsoaimingtoexperiment,,arecentofferinginwhichjugglers(玩杂耍的人)andacrobats(杂技演员)'sRidge:..Theatre,meanwhile,willfeaturea“suspendeddanceinstallation”)Theorchestraalsocontinuestooffer$25annualmembershipstoPhiladelphiastudents,whocanbuyrushticketstoeveryconcertontheschedule.“Studentslineupfortheconcertstheywant,,5minutesbeforetheconcertstarts,”Vulgamoresaid.“It'sliketherunningofthebulls,thatenergywhenthedoorsopen.”L)'thavetobearrogantanduntouchable—“bitofhumor”aboutthem,hesuggested,andanabandoningofpretensionwithinthehigh-artinstitutionsthemselves.“Ononehand,anizationsareallsayingthesamething:wewantmoregeneralaudiences,tobreakdownculturalbarriers,”hesaid.“Butthentheycomeupwithsomeverysnooty(目中无人的)thingthatmakesyoucrazy.”M)JohnTerauds,acriticwhohascoveredToronto'sclassicalmusicsceneextensively,,thebetterthemusiciansthemselveswillrespond.“anizerhastoleteveryoneknowit'ssaid.“It'sOKtoenjoyyourself.”AttheTorontoSymphonyOrchestra,forexample,conductorPeterOundjianoftenstopsbetweenpieces,,Teraudssaid,“atleastathird”,)BackinFebruary,“thinktheyhavetodresswrote.“,I'msure,sittinginaseat,tremblinginfearthatthismightbethewrongtimetoapplaud,isalsooneofthefactors.”O)Everyoneintheclassicalworldagreesontheneedforincreased“accessibility,”,thereareunknown,unorthodoxoperasingerswowing(博得……的喝彩)viewersonTVprogramslike“America'sGotTalent”and“TheVoice”.Whatcanhigherinstitutionsdowithanyofthat?Andiftheyappealtotheseoutlets,promisingtheintegrityortheintelligenceofthemusic?P),,shewillattempttodojustthat.“Theworld'smostrespectedmusiciansbroughttogetherasanorchestrawillalwaysexist,”shesaid.“Butit'sessentialthatwebewillingtoexperimentandfail.”-artinstitutionsdon'tactuallymeanitwhentheysaytheywantmoregeneralaudiences.:..,theaudience'-:),B),C)andD).,whileanotherpersonlooksoldbeforehertime?Humanshavebeenaskingthisquestionforthousandsofyears,andrecently,it'ingclearerandclearertoscientiststhatthedifferencesbetweenpeople'sratesofaginglieinthecomplexinteractionsamonggenes,socialrelationships,,,orrepeatingsegmentsofnoncodingDNAthatliveattheendsofthechromosomes(染色体).,,'ttheonlyreasonacellcanage—thereareotherstressesoncellswedon'tyetunderstandverywell—'vedevotedmostofourcareerstostudyingtelomeres,,'tjustthink,“Ihatetostandinlonglines”;theythink,“Othersdeliberatelyspedupandbeatmetomyrightfulpositionintheline!”—,,menwhoscored:..%:eleratedorslowed—and,insomeaspects,evenrevers