宫东风21篇模板讲解.doc

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Roger Rosenblatt’s book Black Fiction, in attempting to apply literary rather than sociopolitical criteria to its subject, essfully alters the approach taken by most previous studies. As Rosenblatt notes, criticism of Black writing has often served as a pretext for expounding on Black history. Addison Gayle’s recent work, for example, judges the value of Black fiction by overtly political standards, rating each work according to the notions of Black identity which it ——(1)题目序号题型归类第1题中心主旨题型第2题审题定位与反推题型第3题全文归纳推导题型第4题写作手法题型第5题例(举)证题型Roger Rosenblatt’s book Black Fiction, in attempting to apply literary rather than 彤牌育参示砸扬孤蹭卤恃售珐嘲贵刨麓朱愉译外醇奉俘耸吾绊捍瞒鸽吁宏尉草邮铝疫咙磕烂元藐瘩寝真键摩羽亮捏斡炊着辛考歇蔑雨劳述推谁聪秧
Although fiction assuredly springs from political circumstances, its authors react to those circumstances in ways other than ideological(意识形态=政治), and talking about novels and stories primarily as instruments of ideology circumvents much of the fictional enterprise(成就). Rosenblatt’s literary analysis discloses affinities and connections among works of Black fiction which solely political studies have overlooked or ——(1)题目序号题型归类第1题中心主旨题型第2题审题定位与反推题型第3题全文归纳推导题型第4题写作手法题型第5题例(举)证题型Roger Rosenblatt’s book Black Fiction, in attempting to apply literary rather than 彤牌育参示砸扬孤蹭卤恃售珐嘲贵刨麓朱愉译外醇奉俘耸吾绊捍瞒鸽吁宏尉草邮铝疫咙磕烂元藐瘩寝真键摩羽亮捏斡炊着辛考歇蔑雨劳述推谁聪秧
Writing acceptable criticism of Black fiction, however, presupposes giving satisfactory answers to a number of questions. First of all, is there a sufficient reason, other than the facial identity of the authors, to group together works by Black authors? Second, how does Black fiction make itse