对撞·裂变·重构--试述清末民初中国绘画观念的演变（艺术）.pdf

南京航空航天大学
硕士学位论文
对撞·裂变·重构--试述清末民初中国绘画观念的演变
姓名:狄青
申请学位级别:硕士
专业:美术学
指导教师:张其凤
2011-03
南京航空航天大学硕士学位论文

摘要
本文以清末民初中国绘画观念的发展变迁为研究对象,着重分析这一时期中国传统绘画在
受到西方绘画的影响下,自身所发生的变革。通过对比中国绘画与西方绘画以及近代中国绘画
与古代中国绘画的不同,来梳理这一时期中国绘画观念变迁的脉络。
清末民初,从经济到政治尤其是军事,是中国历史上写尽屈辱的历史时期,但在绘画史上
它不仅不能被视为衰落的百年,反而可以被看做是中国绘画开始多元化迅速发展的时期。这一
时期,人们的思想空前自由,中国绘画内部保守派对原有阵地的竭力固守、革新派渴望革命的
***与涌入的西方绘画观念发生了激烈的碰撞,中国画坛打破了自元以来的以“文人画”为主
导的局面,众彩纷呈,流派迭出。
在这一番变迁的过程中,一直伴随着纷争,如何正视西方绘画观念对中国传统绘画的影响,
如何保持中国传统绘画的种姓,如何发扬中国绘画传统中的精髓,是当时,甚至时至今日,中
国绘画发展所必须要面对的问题。

关键词:中国传统绘画观念,西方绘画观念,对撞,裂变,重构











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对撞·裂变·重构——试述清末民初中国绘画观念的演变

ABSTRACT

This thesis takes the evolution and development in the conceptionion of Chinese painting in the
Late Qing Dynasty as the subject, and analyses emphatically the changes of the traditional Chinese
painting under the influence of its Western counterpart . paring Chinese painting with Western
painting as well as the difference between paintings in ancient and modern China, it aims to work out
the framework of the evolution and development in the conception of Chinese painting.
The late Qing Dynasty was a humiliating history for China in terms of economics and politics,
particularly in the military. However, instead of being treated as a declining century ,the Chinese
painting yet ushered a period of diverse and flourishing development. With the unprecedented
freedom of people's minds, conservative thoughts and the innovative passion within Chinese painting
circle came into fierce collision with the conception of Western painting which fluxing into China
then. As a result,the Chinese art circle broke the dominating trend of “Lierator painting” which has
been popular since the Yuan Dynasty and presented a mount of magnificent painting works under
many new-formed schools.
Some changes in this period has been panied by controversies ,such as how to properly treat
the influence of the conception of Western paintin